Merge pull request 'feat(track): aeon — RHCP Snow (Hey Oh) style, Aeon unicycle' (#11) from track/aeon into main

Reviewed-on: #11

tracks/aeon/lyrics.md

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+# Aeon — Lyrics
+
+**Artist:** MoBead
+**Track:** Aeon
+**Reference:** Snow (Hey Oh) — Red Hot Chili Peppers, Stadium Arcadium 2006
+**Length target:** 4:00–4:30
+
+---
+
+```
+TITLE: Aeon
+ARTIST: MoBead
+
+[INTRO — instrumental, ~20 bars, fast 16th-note fingerpicked acoustic in D, electric single-coil color]
+
+[VERSE 1]
+Come to decide that the wheel that I ride
+Was in my life just to get high on
+When I roll alone, come know a thing I've known
+But I need more than myself this time
+
+Step from the ground to the seat to the sky
+And I do believe what we rely on
+When I lean it down, I don't make a sound
+The motion makes me strong to stay on
+
+[PRE-CHORUS]
+Oh the road is long and the city's going on
+Oh I feel it when I'm spinning into dawn
+
+[CHORUS]
+Aeon, listen what I say oh
+I got your Aeon, now listen what I say oh
+Don't go, let the feeling stay oh
+Don't you know that the thing we pray for
+Comes to us all when we roll the fear away
+
+Aeon, listen what I say oh
+I got your Aeon, now listen what I say oh
+Don't go, nothing gets in the way oh
+Don't you know that the thing we ride for
+Keeps us whole on a single wheel today
+
+[VERSE 2]
+Come to find that the Aeon found me rolling
+Through city streets beneath the sun
+Come to know a lane the wheel would show me
+Wouldn't you know there's still a long way to run
+
+Step from the ground to the seat to the sky
+And I do believe what we rely on
+When I lean it down, I don't make a sound
+The motion makes me strong to stay on
+
+[PRE-CHORUS]
+Oh the road is long and the city's going on
+Oh I feel it when I'm spinning into dawn
+
+[CHORUS]
+Aeon, listen what I say oh
+I got your Aeon, now listen what I say oh
+Don't go, let the feeling stay oh
+Don't you know that the thing we pray for
+Comes to us all when we roll the fear away
+
+Aeon, listen what I say oh
+I got your Aeon, now listen what I say oh
+Don't go, nothing gets in the way oh
+Don't you know that the thing we ride for
+Keeps us whole on a single wheel today
+
+[BRIDGE — slow build, guitar lead emerges, chant layers start low]
+Deep beneath the wheel of another perfect circle
+Where it's so true, so true
+Perfectly aligned when a single point of contact
+Carries you, carries you
+
+Riding undivided in a world so undecided
+Where the one wheel pulls you through
+But the Aeon holds the line when everything around you
+Leans into the blue
+
+[OUTRO — full chant build, 6–8 vocal layers stacking and widening, each
+  line starts before the last resolves, builds to near-cacophony then
+  strips back to a single voice on the last "Aeon"]
+Aeon... Aeon...
+Listen what I say oh
+Aeon... Aeon...
+I got your Aeon now listen what I say oh
+Aeon... don't go...
+Let the feeling stay oh
+Aeon... Aeon...
+Don't you know that the thing we ride for
+Keeps us whole on a single wheel
+Aeon...
+(ride on...)
+Aeon.
+```

tracks/aeon/production-notes.md

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+# Aeon — Production Notes
+
+**Artist:** MoBead
+**Track:** Aeon
+**Reference:** Snow (Hey Oh) — Red Hot Chili Peppers, Stadium Arcadium 2006
+
+---
+
+```
+TITLE: Aeon
+ARTIST: MoBead
+GENRE/STYLE: Alternative rock, RHCP Stadium Arcadium era, Snow (Hey Oh) structure
+BPM: 104
+KEY: D major (acoustic fingerpicking in Drop D; verse melody sits on the relative minor)
+LENGTH: 4:00–4:30
+
+INSTRUMENTATION:
+  - Acoustic guitar: nylon-ish steel-string, fast 16th-note fingerpicking ostinato (Frusciante's
+    Snow pattern — thumb bass note + alternating index/middle on treble strings), enters INTRO
+    alone and drives the entire track underneath everything
+  - Electric guitar: clean Stratocaster single-coil, slight compression, enters on V1 bar 5
+    with sparse chord stabs; melodic lead fills in bridge and outro build
+  - Bass: melodic, prominent, sits slightly forward in the mix — follows kick drum but adds
+    Flea-style fills between phrases; clean funk tone with mid-range presence
+  - Drums: Chad Smith feel — rimshot on 2 and 4, hi-hat driving 8ths, kick on 1 and the "and"
+    of 3; not busy, locked tight; snare is dry and immediate, not washed in reverb
+  - Vocal harmonies: second vocal a major third above on the chorus "Aeon" hook; wide stereo
+    spread L+R, center voice dry, outer harmonies with light plate reverb
+  - Outro chant stack: 6–8 vocal layers multitracked, alternating pan positions, some dry,
+    some with subtle room reverb — each layer enters offset by ~half a bar
+
+AMBIANCE: Outdoor light through motion — city pavement under one wheel, open air, forward lean.
+REFERENCE VIBE: Snow (Hey Oh) outro chant energy into stadium-fill. One wheel, crowd watching.
+
+VOICE — match as close as possible to Anthony Kiedis in Snow (Hey Oh):
+  REGISTER: Mid-high tenor, chest voice dominant. Comfortable pocket D4–A4; the "say oh" peaks
+    reach B♭4 with an easy, unstrained reach. Never sounds like he's pushing.
+  TONE: Warm with a slight wood-smoke grain — not breathy, not polished. Nasal resonance sits
+    forward in the mask (not throaty). The roughness is organic, not performed.
+  DELIVERY STYLE: Speech-melody hybrid. Rhythm is the primary carrier; pitch is implied, then
+    landed on key syllables rather than held precisely through each note. Syllables tumble
+    and blur into each other — "come-to-decide" runs almost as one breath with internal
+    inflection. Think of it as the words being pushed out by a river, not placed.
+  VERSE FEEL: Intimate, slightly conversational volume. Close-mic'd, you hear the mouth.
+    Consonants are soft — no hard attacks. Vowels lead. Melody is felt in the body before
+    it's heard in the pitch.
+  CHORUS FEEL: Opens up noticeably — more air, more volume, jaw drops on the "A" of "Aeon."
+    The open "oh" vowel on every hook end (say oh, stay oh, way oh) is wide-mouthed,
+    free, almost gospel-call. No strain, effortless fullness — the feeling of a crowd
+    that's already singing it with him.
+  VIBRATO: Natural, light, only emerges on notes sustained a half-beat or longer. Short
+    passing notes have none. Never applied deliberately — it appears when the phrase
+    needs it.
+  PHRASING: Breaths taken mid-phrase at momentum-points, not at line ends. The run-on
+    feel is intentional — adds urgency and makes the listener feel like they're inside
+    the thought as it forms.
+  DOUBLES: In verse, Kiedis subtly doubles his own vocal at the unison (or close to it,
+    with slight pitch drift between takes — no auto-tune, no pitch correction). In the
+    chorus the harmony vocal sits a major third above, wide-panned.
+  OUTRO CHANT: The Snow outro chant model — Kiedis multitracked 6–8 times, each
+    pass with a slightly different energy (some leaning forward, some pulling back),
+    panned across the stereo field. Some layers drop into a light falsetto/head voice
+    register an octave up. Starts sparsely and layers accumulate until the sound is a
+    full single-voice choir, then strips back to one dry voice on the final "Aeon."
+  EMOTIONAL QUALITY: Open, yearning, communal. Not sad, not ecstatic — earnestly in
+    the middle. The feeling of something that frees you that you want to share before
+    you can explain why.
+
+SUNO PROMPT:
+  Red Hot Chili Peppers style Snow Hey Oh, alternative rock Stadium Arcadium era,
+  fast 16th-note fingerpicked acoustic guitar D major continuous ostinato, clean
+  electric Stratocaster single-coil stabs, melodic Flea-style bass prominent in mix,
+  dry tight rimshot drums Chad Smith feel, male tenor vocal warm grainy speech-melody
+  Anthony Kiedis inflection, rhythmic tumbling syllables, open-mouth gospel-call chorus,
+  building chant outro 6 vocal layers stacking wide stereo, 104 BPM, no reverb wash on
+  verses, outdoor open-air feeling, one wheel, forward motion
+
+STRUCTURE:
+  0:00 — INTRO: acoustic fingerpicking solo, ~20 bars, electric enters bar 12
+  0:22 — VERSE 1: close-mic vocal, intimate, bass and drums lock in bar 2
+  0:54 — PRE-CHORUS: slightly more open, harmony hint
+  1:02 — CHORUS x2: full band opens up, harmonies wide, "Aeon" gospel-call
+  1:30 — VERSE 2: same as V1 energy, bass adds fills
+  2:02 — PRE-CHORUS
+  2:10 — CHORUS x2
+  2:38 — BRIDGE: electric lead guitar, chant layers begin one at a time (1→3 layers),
+           drums pull back to rim only, bass holds low drone
+  3:08 — OUTRO BUILD: all layers stack, drums return full, acoustic still anchoring,
+           each "Aeon" call opens wider until 3:50 strip — final single voice, dry, "Aeon."
+  4:00 — END
+```