diff --git a/tracks/aeon/production-notes.md b/tracks/aeon/production-notes.md
index 44acb57..3028c30 100644
--- a/tracks/aeon/production-notes.md
+++ b/tracks/aeon/production-notes.md
@@ -2,37 +2,37 @@
 
 **Artist:** MoBead
 **Track:** Aeon
-**Reference:** Snow (Hey Oh) — Red Hot Chili Peppers, Stadium Arcadium 2006
+**Reference (internal, human only — do not feed to Suno):** Snow (Hey Oh) — Red Hot Chili Peppers, Stadium Arcadium 2006
 
 ---
 
 ```
 TITLE: Aeon
 ARTIST: MoBead
-GENRE/STYLE: Alternative rock, RHCP Stadium Arcadium era, Snow (Hey Oh) structure
+GENRE/STYLE: Alternative rock, funk-rock, guitar-driven, melodic, stadium energy
 BPM: 104
 KEY: D major (acoustic fingerpicking in Drop D; verse melody sits on the relative minor)
 LENGTH: 4:00–4:30
 
 INSTRUMENTATION:
-  - Acoustic guitar: nylon-ish steel-string, fast 16th-note fingerpicking ostinato (Frusciante's
-    Snow pattern — thumb bass note + alternating index/middle on treble strings), enters INTRO
+  - Acoustic guitar: nylon-ish steel-string, fast 16th-note fingerpicking ostinato (continuous
+    pattern — thumb on bass note, alternating index/middle on treble strings), enters INTRO
     alone and drives the entire track underneath everything
-  - Electric guitar: clean Stratocaster single-coil, slight compression, enters on V1 bar 5
-    with sparse chord stabs; melodic lead fills in bridge and outro build
+  - Electric guitar: clean single-coil, slight compression, enters on V1 bar 5 with sparse
+    chord stabs; melodic lead fills in bridge and outro build
   - Bass: melodic, prominent, sits slightly forward in the mix — follows kick drum but adds
-    Flea-style fills between phrases; clean funk tone with mid-range presence
-  - Drums: Chad Smith feel — rimshot on 2 and 4, hi-hat driving 8ths, kick on 1 and the "and"
-    of 3; not busy, locked tight; snare is dry and immediate, not washed in reverb
+    melodic fills between phrases; clean funk tone with mid-range presence
+  - Drums: rimshot on 2 and 4, hi-hat driving 8ths, kick on 1 and the "and" of 3; not busy,
+    locked tight; snare is dry and immediate, not washed in reverb
   - Vocal harmonies: second vocal a major third above on the chorus "Aeon" hook; wide stereo
     spread L+R, center voice dry, outer harmonies with light plate reverb
   - Outro chant stack: 6–8 vocal layers multitracked, alternating pan positions, some dry,
     some with subtle room reverb — each layer enters offset by ~half a bar
 
 AMBIANCE: Outdoor light through motion — city pavement under one wheel, open air, forward lean.
-REFERENCE VIBE: Snow (Hey Oh) outro chant energy into stadium-fill. One wheel, crowd watching.
+REFERENCE VIBE: Layered chant build into stadium-fill. One wheel, crowd watching.
 
-VOICE — match as close as possible to Anthony Kiedis in Snow (Hey Oh):
+VOICE — (internal ref: Anthony Kiedis, Snow Hey Oh — do not use in Suno prompt):
   REGISTER: Mid-high tenor, chest voice dominant. Comfortable pocket D4–A4; the "say oh" peaks
     reach B♭4 with an easy, unstrained reach. Never sounds like he's pushing.
   TONE: Warm with a slight wood-smoke grain — not breathy, not polished. Nasal resonance sits
@@ -54,10 +54,10 @@ VOICE — match as close as possible to Anthony Kiedis in Snow (Hey Oh):
   PHRASING: Breaths taken mid-phrase at momentum-points, not at line ends. The run-on
     feel is intentional — adds urgency and makes the listener feel like they're inside
     the thought as it forms.
-  DOUBLES: In verse, Kiedis subtly doubles his own vocal at the unison (or close to it,
-    with slight pitch drift between takes — no auto-tune, no pitch correction). In the
-    chorus the harmony vocal sits a major third above, wide-panned.
-  OUTRO CHANT: The Snow outro chant model — Kiedis multitracked 6–8 times, each
+  DOUBLES: In verse, lead vocal subtly doubles itself at the unison (slight pitch drift
+    between takes — no auto-tune, no pitch correction). In the chorus the harmony vocal
+    sits a major third above, wide-panned.
+  OUTRO CHANT: Lead vocal multitracked 6–8 times, each
     pass with a slightly different energy (some leaning forward, some pulling back),
     panned across the stereo field. Some layers drop into a light falsetto/head voice
     register an octave up. Starts sparsely and layers accumulate until the sound is a
@@ -67,13 +67,15 @@ VOICE — match as close as possible to Anthony Kiedis in Snow (Hey Oh):
     you can explain why.
 
 SUNO PROMPT:
-  Red Hot Chili Peppers style Snow Hey Oh, alternative rock Stadium Arcadium era,
-  fast 16th-note fingerpicked acoustic guitar D major continuous ostinato, clean
-  electric Stratocaster single-coil stabs, melodic Flea-style bass prominent in mix,
-  dry tight rimshot drums Chad Smith feel, male tenor vocal warm grainy speech-melody
-  Anthony Kiedis inflection, rhythmic tumbling syllables, open-mouth gospel-call chorus,
-  building chant outro 6 vocal layers stacking wide stereo, 104 BPM, no reverb wash on
-  verses, outdoor open-air feeling, one wheel, forward motion
+  alternative rock, funk-rock, guitar-driven, fast 16th-note fingerpicked acoustic guitar
+  D major continuous ostinato underlying entire track, clean single-coil electric guitar
+  sparse stabs and melodic lead fills, melodic bass prominent in mix with funk fills between
+  phrases, dry tight rimshot drums locked pocket not busy snare immediate, male tenor vocal
+  warm grainy speech-melody, rhythmic tumbling syllables pitch implied not belted, open-mouth
+  gospel-call chorus wide-vowel oh sounds, unison vocal double with pitch drift in verses,
+  harmony third above on chorus wide-panned, building chant outro 6 vocal layers stacking
+  wide stereo strips to single dry voice, 104 BPM, no reverb wash on verses, outdoor
+  open-air feeling, one wheel, forward motion
 
 STRUCTURE:
   0:00 — INTRO: acoustic fingerpicking solo, ~20 bars, electric enters bar 12